Shakespeareov "Hamlet" između klasike i manirizma / Shakespeare’s "Hamlet" between classicism and mannerism

Continuing the previous research on mannerism in history of European art, primarily book Dnevnik melankolije [The Diary Melancholy] by Dževad Karahasan, this paper tries to understand specific internal contradictions William Shakespeare’s play tension between classical and mannerist experience world. On foundations laid Gustav Rene Hocke his books mannerism, Karahasan examined relationship dramatic techniques throughout drama. In accordance with Hocke’s approach, recognizes periods domination type Shakespeare is cited as one playwrights, but, among other authors, no detailed analysis devoted him. This paper, therefore, further develop Karahasan’s basic theses example Hamlet, which we want recognize intertwining techniques. Following methodology, focus will be character, plot, action situation, then from these problems technique, image world literature discussed. Thus, within framework offered seeks problematize position context Therefore, aimed beyond just confirming - perceived even more important than it was case conception.